MAX STEEL
16-year old MAX MCGRATH has just moved to a new town – and is desperately trying to fit in – when he discovers his body can generate the universe’s most powerful energy. Unbeknown to Max, a slightly rebellious and hilarious techno-organic extraterrestrial named Steel has been keeping an eye on him, hungry for his super-human energy. When they finally meet, they discover that together they form MAX STEEL, a superhero possessing powerful strength beyond anything in our world. These two unlikely friends soon find themselves hunted by sinister forces who want to control Max’s powers, as well as an unstoppable enemy from another galaxy.
DESIERTO
DESIERTO marks a particularly personal journey in storytelling for writer, director, editor and producer Jonás Cuarón who spent the last 7 years bringing the story of the migrant experience to the screen. In his own words: “I took a trip through the U.S. Southwest where I encountered first-hand stories surrounding immigration and the often cruel and violent story of the migrant journey. I was very moved and immediately felt compelled to outline the film – which happened even before writing GRAVITY. I’ve always been very interested in the concept of films like Spielberg’s DUEL, Konchalovskiy’s RUNAWAY TRAIN and Bresson’s A MAN ESCAPES. They are non-stop nail biting thrillers with very little dialogue but that at the same time manage to juggle various themes. I was very interested in the drive of these films where the audience connects with the story and character in a very visceral way. In DESIERTO, I wanted to create a gripping film that would engage the audience in that same kind of visceral, cathartic experience and also allow them to reflect on this very complicated subject which illuminates the often devastating experience migrants face in the search for a better life. Bringing Gael (García Bernal) on board was a no-brainer, not just for his skillful acting but also for the soul I trusted he would bring to the story. I knew that Gael also felt very passionately about issues surrounding immigration and would bring to life the struggle, hope and determination that are the fabric of the migrant story.”
THE ACCOUNTANT
Christian Wolff (Ben Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.
CERTAIN WOMEN
One of America’s foremost filmmakers, Kelly Reichardt (Wendy and Lucy, Meek’s Cutoff) directs a remarkable ensemble cast led by Michelle Williams, Kristen Stewart, Laura Dern and newcomer Lily Gladstone in this stirring look at four women striving to forge their own paths amidst the wide-open plains of the American Northwest: a lawyer (Dern) who finds herself contending with both office sexism and a hostage situation; a wife and mother (Williams) whose determination to build her dream home puts her at odds with the men in her life; and a young law student (Stewart) who forms an ambiguous bond with a lonely ranch hand (radiant newcomer Lily Gladstone). As their stories intersect in subtle but powerful ways, a portrait emerges of flawed, but strong-willed individuals in the process of defining themselves.
KEVIN HART: WHAT NOW?
In Universal Pictures’ Kevin Hart: What Now?, comedic rock-star Kevin Hart follows up his 2013 hit stand-up concert movie Let Me Explain, which grossed $32 million domestically and became the third-highest live stand-up comedy movie of all time. Hart takes center stage in this groundbreaking, record-setting, sold-out performance of “What Now?”—filmed outdoors in front of 50,000 people at Philadelphia’s Lincoln Financial Field—marking the first time a comedian has ever performed to an at-capacity football stadium.
LITTLE SISTER
October, 2008. Young nun Colleen (Addison Timlin) is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.” On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents (Ally Sheedy and Peter Hedges) are happy enough to see her, but unease and awkwardness abounds. Her brother (Keith Poulson) is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.
PRICELESS
PRICELESS is a powerful story of James Stevens who was, at one time, a good man with a great life — but that was then and this is now. After the tragic death of his wife and losing custody of his little girl, James is at the darkest crossroad of his life. Angry, desperate, and unable to hold down a steady job, he agrees to drive a box truck on a shady, one-time trip cross country for cash — no questions asked. But when he discovers what he is delivering is actually who, he is compelled to save two beautiful and frightened sisters who are unaware of the danger that awaits them. Can love, strength, and faith redefine his past and change the course of his future? This unlikely hero risks it all to save these women, confront the forces that oppose him and ultimately discover the life he was meant to live.
MISS HOKUSAI
From award-winning director Keiichi Hara (Colorful) and Japanese powerhouse Production I.G (creators of Ghost in the Shell) comes a remarkable story of the daughter behind one of history’s most famous artists. As all of Edo flocks to see the work of the revered painter Hokusai, his daughter O-Ei toils diligently inside his studio. Her masterful portraits, dragons and erotic sketches- sold under the name of her father- are coveted by upper crust Lords and journeyman print makers alike. Shy and reserved in public, in the studio O-Ei is as brash and uninhibited as her father, smoking a pipe while sketching drawings that would make contemporary Japanese ladies blush. But despite this fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking the life experience that she is attempting to portray in her art. Miss Hokusai’s bustling Edo (present day Tokyo) is filled with yokai spirits, dragons, and conniving tradesmen, while O-Ei’s relationships with her demanding father and blind younger sister provide a powerful emotional underpinning to this sumptuously-animated coming-of-age tale.