Based on the true story of a serial killer
who terrified the San Francisco Bay Area and taunted
authorities in four jurisdictions with his ciphers and
letters for decades, “Zodiac” is a thriller from David
Fincher, director of “Se7en” and “Fight Club.” Hunting down
the hunter would become an obsession for four men, an
obsession that would turn them into ghosts of their former
selves, their lives built and destroyed by the killer’s
endless trail of clues.
Of the four, Robert Graysmith (Jake Gyllenhaal) was the wild
card.
A shy editorial cartoonist, Graysmith didn’t have the cache
and expertise of his seasoned and cynical colleague Paul
Avery (Robert Downey Jr.), the San Francisco Chronicle’s
star crime reporter. He didn’t have Avery’s connections with
San Francisco Police Department’s celebrated and ambitious
Homicide Inspector Dave Toschi (Mark Ruffalo) and his
low-key, meticulous partner Inspector William Armstrong
(Anthony Edwards). What he did have was a crucial insight no
one anticipated. It first appeared Aug. 1, 1969.
A crudely written Letter to the Editor arrived in the day’s
pile of mail. One of three penned to the Chronicle, the San
Francisco Examiner and the Vallejo Times-Herald, its
contents brought the newsrooms to a standstill. “Dear
Editor, This is the murderer…” of David Faraday and Betty
Lou Jensen shot to death Dec. 20, 1968 on Lake Herman Road
in Solano County and the July 4, 1969 fatal shooting of
Darlene Ferrin and attempted murder of Mike Mageau at the
Blue Rock Springs golf course parking lot in Vallejo. He
didn’t call them by name, but he gave a laundry list of
details only the police could know. Each paper was given
part of a cipher which, when decoded, would purportedly
reveal his identity. It was followed by a threat – publish
or more would perish. No killer since Jack the Ripper had
written the press and taunted the police with clues to his
identity. Zodiac had raised the bar for homicidal
psychopaths in the U.S. A Salinas couple decoded the
message. But it was Graysmith, a cipher enthusiast, who
decoded its hidden intent, a reference to the 1932 film “The
Most Dangerous Game.”
More letters and threats would follow. On Sept. 27, 1969
Zodiac would strike again, hooded and armed with a gun and
sheathed blade, he would stab to death Cecilia Ann Shepard
and leave for dead Bryan Hartnell as the young couple
picnicked at Lake Berryessa in Napa County. One month later,
Oct. 11 the killer had come to San Francisco. Taxi driver
Paul Lee Stine was shot in the back of the head in the posh
Presidio Heights neighborhood. Three days later a fifth
letter arrived, the most ominous of all: Zodiac told police
they could have caught him that night. Worse, school
children were in the cross hairs of his gun sight. He would
pick them off as they stepped off the school bus. San
Francisco was literally a city in panic.
Zodiac inadvertently had turned detectives Toschi and
Armstrong and reporter Avery into overnight celebrities.
Characters based on Toschi would prove pivotal roles
launching three movie stars’ careers. Graysmith remained
committed to his armchair sleuthing from the sidelines,
injecting his input when Avery would allow. Zodiac was
always one step ahead, covering his tracks, peppering his
lettered taunts with more threats. And then they became
personal.
Infamy would eclipse fame as Toschi fell from grace;
Armstrong, frustrated moved on; Avery left the paper,
crippled by his addictions. Zodiac would no longer reveal
his targets. Copycats sprang up coast to coast. The key
suspect was still out there.
Graysmith’s moment had come. That moment would change their
lives forever.
© DreamWorks Pictures. All
rights reserved
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