SOAKED IN BLEACH
SOAKED IN BLEACH reveals the events behind Kurt Cobain’s death as seen through the eyes of Tom Grant, the private investigator that was hired by Courtney Love in 1994 to track down her missing husband (Kurt Cobain) only days before his deceased body was found at their Seattle home. Cobain’s death was ruled a suicide by the police (a reported self-inflicted gunshot wound), but doubts have circulated for twenty years as to the legitimacy of this ruling, especially due to the work of Mr. Grant, a former L.A. County Sheriff’s detective, who did his own investigation and determined there was significant empirical and circumstantial evidence to conclude that foul play could very well have occurred. The film develops as a narrative mystery with cinematic re-creations, interviews with key experts and witnesses and the examination of official artifacts from the 1994 case.
JURASSIC WORLD
Steven Spielberg returns to executive produce the long-awaited next installment of his groundbreaking Jurassic Park series, Jurassic World. Colin Trevorrow directs the epic action-adventure from a screenplay he wrote with Derek Connolly. Frank Marshall and Patrick Crowley join the team as producers.
MADAME BOVARY
Set in Normandy, France, Madame Bovary is Gustave Flaubert’s classic story of Emma Bovary (Mia Wasikowska), a young beauty who impulsively marries small-town doctor, Charles Bovary (Henry Lloyd-Hughes), to leave her father’s pig farm far behind. But after being introduced to the glamorous world of high society, she soon becomes bored with her stodgy husband and mundane life, and seeks prestige and excitement outside the bonds of marriage.
REDEEMER
In this pulse-pounding actioner, ex-hitman Pardo (martial arts master Marko Zaror) seeks redemption for his sins by meting out violent justice on those who would prey upon the innocent. Known on the streets as the Redeemer, Pardo is a vigilante desperate for redemption, offering criminals the chance to ask forgiveness for their crimes or pay the ultimate price. When his bloody path crosses that of would-be drug lord Bradock (Noah Segan, Looper, Deadgirl), he must fight an entire underworld organization while keeping one step ahead of a vengeful assassin seeking to undo his virtuous work.
SET FIRE TO THE STARS
Based on true events, Elijah Wood stars as John Malcolm Brinnin, the New York academic who brought Dylan Thomas to America. Actor/co-writer Celyn Jones plays the volatile celebrity poet – tormented by anonymity, alcohol and the abyss – who scandalized the Manhattan literati of the Fifties and challenged Brinnin’s hero worship of his work. In the face of the Welsh poet’s wilder excesses in the Big Apple – angel, beast and madman – John has no choice but to hijack Dylan to a private retreat to get him ready for America. The days and nights that follow will change his life forever. Part literary biopic and – shot in cut-glass black-and-white – part love-letter to the American B-movies of the Forties and Fifties, Andy Goddard’s debut feature is both a character driven chamber piece and a cautionary tale about the flytrap of meeting your heroes.
ME AND EARL AND THE DYING GIRL
Winner of the Grand Jury Prize and the Audience Award at the 2015 Sundance Film Festival, ME AND EARL AND THE DYING GIRL is the uniquely funny, moving story of Greg (Thomas Mann), a high school senior who is trying to blend in anonymously, avoiding deeper relationships as a survival strategy for navigating the social minefield that is teenage life. He even describes his constant companion Earl (RJ Cyler), with whom he makes short film parodies of classic movies, as more of a ‘co-worker’ than a best friend. But when Greg’s mom (Connie Britton) insists he spend time with Rachel (Olivia Cooke) – a girl in his class who has just been diagnosed with cancer – he slowly discovers how worthwhile the true bonds of friendship can be.
Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed the Wolfpack, the brothers spend their childhood re-enacting their favorite films using elaborate homemade props and costumes. With no friends and living on welfare, they feed their curiosity, creativity, and imagination with film, which allows them to escape from their feelings of isolation and loneliness. Everything changes when one of the brothers escapes, and the power dynamics in the house are transformed. The Wolfpack must learn how to integrate into society without disbanding the brotherhood.
“Saturday Night Live” has been reflecting and influencing the American story for 40 years. Live From New York! explores the show’s early years, an experiment that began with a young Lorne Michaels and his cast of unknowns, and follows its evolution into a comedy institution. Archival footage is interwoven with stolen moments and exclusive commentary from “SNL” legends, journalists, hosts, crew and others influenced by the comedy giant. Live From New York! captures what has enabled “SNL” to continually refresh itself over nearly 800 episodes and keep America laughing for 40 years.
VENDETTA
Dean Cain and WWE Superstar The Big Show star in “Vendetta,” an action-packed thriller about a detective pushed beyond his limits who will stop at nothing for vengeance. When his wife is killed by a criminal that he put away, Mason (Cain), a hard-nosed detective, deliberately gets arrested in order to get revenge. While inside, Mason discovers a new criminal enterprise that those behind it would kill to protect.
L.A. SLASHER
A biting, social satire of reality TV and the glorification of those who are “famous for being famous,” L.A. SLASHER takes aim at the current state of the entertainment industry, where it is acceptable (and even admirable) to gain influence and wealth without merit or talent – but instead through shameful behavior, and the notoriety that comes from it.
Incensed by the tabloid culture that promotes this new breed of “celebrities,” the L.A. Slasher publicly abducts a series of reality TV stars, which leads the media and the general public to question if perhaps society is better off without them.